Guitar De-noise takes on three common issues in acoustic and electric guitar recordings.
With most of the audio I tried it with-decent-quality voice communications-the result was a subtle but definitely noticeable improvement in clarity and smoothness, making Spectral Recovery a useful tool for archiving recordings from online meetings. You can customize the results with controls for the strength of the added frequency content and glitch repair, and a balance control that can emphasize or de-emphasize sibilants (for clarity) versus vowels (for tone). The new Spectral Recovery module synthesizes the missing harmonics/overtones, restoring a little subtle clarity and air, and also tries to repair any small glitches in the audio as well.Īs with many of RX’s processors, Spectral Recovery analyzes the audio signal via a Learn button, and uses that analysis to determine what high-frequency content to add. While the voice quality for these VoIP applications is usually acceptable, it’s often somewhat band-limited, with small glitches here and there. With the increased use of applications like Zoom and Skype-among many others-there’s a lot of somewhat-compromised audio floating around. Let’s take a brief look at each of these.
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And the Music Rebalance module has been reworked under the hood, improving its ability to isolate and rebalance certain elements in a full mix. The existing De-hum module can now remove higher hum harmonics. The Loudness module has been replaced by Loudness Control, with additional displays. A Wow & Flutter module addresses pitch variations in recordings dubbed from tape. Guitar De-noise looks to eliminate common problem sounds in acoustic and electric guitar recordings. Spectral Recovery is designed to restore missing overtones in band-limited material. Along with numerous small improvements in processing and UI, RX 8 adds several new modules.
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